Underexposed 2/3 (Left), Correct Exposure (Middle), Overexposed 2/3 (Right) The left is underexposed by 2/3 a stop, the middle is exposed correctly, and the right is overexposed by 2/3 a stop. Example footageīelow are keyframes from three videos shot using C-Log 3 / Cinema Gamut on an EOS R5. Let’s take a look at before and after examples to see the C-Log to Rec.709 Exposure Correction Luts in action. These LUTs are a huge timesaver (I know, I use them all the time), especially when importing and editing lots of footage that needs to be converted to Rec.709. Under and overexposed footage (within 2 stops) are instantly corrected, and appear as if you nailed their exposure in-camera. Footage underexposed by 2/3 a stop? Use the +0.66 Rec.709 LUT. They are modeled on Canon’s official Rec.709 LUTs for the EOS R, R3, R5, R5C, R6 and R7.įootage overexposed by 1 stop? Use the -1 Stop Rec.709 LUT. These 84 custom LUTs convert Canon C-Log and C-Log 3 footage to the Rec.709 color space AND normalize exposure using the proper C-Log gamma curve. That’s where these Exposure Correction LUTs come in!
CANON R5 LOG LUT SKIN
This can be accidental or intentional, for many videographers slightly overexpose their C-Log footage to create better looking skin tones and reduce noise.Ĭanon’s official Rec.709 LUTs do a good job of converting C-Log to Rec.709, but their LUTs are designed for perfectly exposed footage. In reality however, footage often turns out over or underexposed.
CANON R5 LOG LUT UPDATE
Read more about what LUTs are and why LUTs are amazing for Youtubers & Business owners.Note: This post was updated on Octoto update camera compatibilityĮvery videographer and filmmaker strives for perfectly exposed footage in camera. If you scroll down below and take a look at our favourite creations that work really well with Canon CLog. We have a range of Conversion LUTs and Creative LUTs. We have created Canon LUTs specially designed to color correct and color grade your Canon C-Log footage. This is where we come in! We want to help bridge the gap for all users to be able to use Log profile so they can get the most out of their sensors.
So when someone really wants color grading and get the most out of their camera, they will need to spend a lot more time in the edit suite to make the colors look good again. The color is there in the video but you need to bring it back. The only issue that comes with using Log profile is, that you have to color correct it afterwards because it looks very flat and desaturated (it gives the appearance of being close to black and white). This means you will not lose as much detail in the dark shadows and bright highlights. If you aren't aware of what Log is, then in simple terms, Log is a color profile that allows the cameras sensor to capture a higher dynamic range of light. So Canon have their own Log color space called Canon C-Log.
CANON R5 LOG LUT MOVIE
The 5D became one of the most popular video cameras since it was released, because it allowed users to achieve a much more movie like video and with the ability to change lenses, manual controls etc.
CANON R5 LOG LUT FULL
When Canon introduced the 5D with video, this opened up a whole new world to Filmmakers to access full frame and having a beautiful depth of field that most photography cameras could achieve, but no consumer video cameras could. But what comes with a small sensor and a built-in lens, is hardly any depth of field and limited manual controls on your lens. Nearly all consumer video cameras were in a very specific style with a built in lens and they would only use a small sensor to pack all the power they had in the small bodies. They introduced video recording on a full frame DSLR. Their color science is perfect and they have had many revolutionary cameras taking the Filmmaking and Photography world by storm.Ĭanon are most well known in the Filmmaking world for the release of their 5D on August 22nd, 2005. Canon is the most reputable & prominent camera brand in the world, let's face it.
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